{"id":11846,"date":"2026-10-09T03:36:16","date_gmt":"2026-10-09T02:36:16","guid":{"rendered":"https:\/\/www.traitdunionmag.com\/?p=11846"},"modified":"2026-10-09T03:36:58","modified_gmt":"2026-10-09T02:36:58","slug":"le-jardin-interieur-de-myonghi-kang","status":"publish","type":"post","link":"https:\/\/www.traitdunionmag.com\/?p=11846","title":{"rendered":"Le jardin int\u00e9rieur de Myonghi Kang"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>\u00ab\u00a0<em>Pendant plus de 60 ans, Myonghi Kang a peint dans le but de voir<\/em>\u00a0\u00bb. Ainsi d\u00e9bute l\u2019exposition que consacre la Galerie Villepin \u00e0 l\u2019artiste sud-cor\u00e9enne jusqu\u2019au 15 novembre. Un voyage dans un jardin imaginaire \u00e0 d\u00e9couvrir \u00e0 Central.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><a href=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/Le-jardin-dune-dame-aveugle.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/Le-jardin-dune-dame-aveugle.jpg\" alt=\"\" class=\"wp-image-11725\" srcset=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/Le-jardin-dune-dame-aveugle.jpg 640w, https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/Le-jardin-dune-dame-aveugle-300x225.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Reportage sign\u00e9 Anne-Claire Poignard<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-full is-resized\"><a href=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-2-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"853\" src=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-2-3.jpg\" alt=\"\" class=\"wp-image-11727\" style=\"width:271px;height:auto\" srcset=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-2-3.jpg 640w, https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-2-3-225x300.jpg 225w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Un bouquet de pivoines, des fleurs sauvages, la silhouette d\u2019un vase, les lueurs de l\u2019aube\u2026 Des teintes tant\u00f4t printani\u00e8res, tant\u00f4t automnales. Dans ses peintures \u00e0 l\u2019huile et ses pastels, Myonghi Kang explore notre relation avec la nature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Depuis 60 ans, l\u2019artiste revient r\u00e9guli\u00e8rement sur les m\u00eames lieux pour tenter de saisir, dit-elle, ce qui continue de lui \u00e9chapper&nbsp;: la mousse sur une roche mouill\u00e9e, l\u2019eau, la lumi\u00e8re. Pour elle, le paysage n\u2019est qu\u2019un pr\u00e9texte. Elle convoque dans son art ce qui forge le regard&nbsp;: la m\u00e9moire, le recul, le d\u00e9sir, les doutes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Myonghi Kang est n\u00e9e \u00e0 Daegu (Cor\u00e9e du Sud) en 1947. Dipl\u00f4m\u00e9e de l\u2019Universit\u00e9 nationale de S\u00e9oul, elle s\u2019installe en France \u00e0 partir de 1972, notamment en Provence, o\u00f9 le travail de la lumi\u00e8re chez Paul C\u00e9zanne la bouleverse. Premi\u00e8re artiste cor\u00e9enne \u00e0 avoir expos\u00e9 au Centre Pompidou \u00e0 Paris en 1986, elle partage aujourd\u2019hui sa vie entre la France et l\u2019\u00eele de Jeju en Cor\u00e9e.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><a href=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-1-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"853\" src=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-1-3.jpg\" alt=\"\" class=\"wp-image-11726\" style=\"width:254px;height:auto\" srcset=\"https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-1-3.jpg 640w, https:\/\/www.traitdunionmag.com\/wp-content\/uploads\/2026\/10\/thumbnail-1-3-225x300.jpg 225w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Au c\u0153ur de l\u2019exposition, une toile intitul\u00e9e <em>\u00ab Le Jardin de la dame aveugle \u00bb<\/em>. Ce tableau lui a \u00e9t\u00e9 inspir\u00e9 par une vieille femme qu&rsquo;elle a longuement observ\u00e9 alors que celle-ci s\u2019occupait de ses plantes sans pouvoir les voir. Myonghi Kang questionne ainsi le concept m\u00eame de la perception visuelle.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00e9tail \u00e9tonnant&nbsp;: certaines \u0153uvres comportent plusieurs fois mention de son nom. La peintre signe ses toiles, y revient, les signe \u00e0 nouveau. Pour elle, la signature ne veut pas dire que l\u2019\u0153uvre est achev\u00e9e. Elle est en constante recherche. A pr\u00e8s de 80 ans, Myonghi Kang cherche encore \u00ab&nbsp;ce qu\u2019il reste \u00e0 voir&nbsp;\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Pendant plus de 60 ans, Myonghi Kang a peint dans le but de voir\u00a0\u00bb. Ainsi d\u00e9bute l\u2019exposition que consacre la<\/p>\n","protected":false},"author":10,"featured_media":11731,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[35,18],"tags":[],"class_list":["post-11846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture"],"_links":{"self":[{"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/posts\/11846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11846"}],"version-history":[{"count":2,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/posts\/11846\/revisions"}],"predecessor-version":[{"id":11848,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/posts\/11846\/revisions\/11848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=\/wp\/v2\/media\/11731"}],"wp:attachment":[{"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.traitdunionmag.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}